Partway through, one of the art department members compiled and distributed materials on how to handle and perform all of the different harmony processing methods, which was a big help.Episodes have their own color coordinator (, Iroshitei ) in charge of supervising and supplying painters with the model sheets that particular outing requires, which they might even make themselves if theyre tones that werent already defined by the color designer.
Koe No Katachi Season 2 Series Director ServeThey draw many artboards that once approved by the series director serve as reference for the backgrounds throughout the series.Coordination within the art department is a must setting and color designers must work together to craft a coherent world.
Koe No Katachi Season 2 How To Handle AndA name inherited from the past, when cameras were actually used during this process. When we started, director (Naoko) Yamada told me that she wanted them to be attractive but not give off the impression of being too anime-like. So I worked with that mindset: using colors that were pleasant to the eye but werent overly vivid, and paying attention to photorealism a bit. For example, when it came to previous works, we would have rendered cars driving by in a single color. But for A Silent Voice, we would keep photorealism in mind and have the surrounding colors reflected on the cars, to avoid the feeling of looking too blatantly anime. To express how wonderful the world all the characters live in, we strove to make it beautiful by any means, with any dark components taken out getting rid of any inherent negativity. It took a lot of time and struggle to get there, though. After all, Yamada was talking in very abstract terms. It was critical to figure out what Yamada was seeing in her head. ![]() Its like a cycle of just drawing and submitting until you stumble upon an answer. Of course, I ended up having to redo every single one of them. Apparently, something just didnt feel right when watching them all in sequence. Ive worked with Yamada this whole time, so I thought I knew what she was looking for even if she didnt put it into words. Koe No Katachi Season 2 Trial And ErrorBut there was a lot of trial and error involved this time around, until I understood what she was hoping to achieve. Their rendering followed a different process than what weve used before. Rather than simple digital painting over hand-drawn art, this time around the textures to give them a wooden feel were prepared by the art department and then placed on top. The workflow went as follows: the materials followed the animation pipeline until the digital painting, and then they were passed along to the art department, where that team brought out the thickness and wooden texture of the desks. We call it harmony processing when we use background art to turn the image into something with texture. For the harmony processing, we created several approaches with different uses; wed use one kind for this kind of close-up of desks, another for different types, and so on. However, it got to be too complicated, and we realized that we couldnt proceed smoothly as is.
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